Functional Anatomy of Musical Perception in Musicians
نویسندگان
چکیده
منابع مشابه
Perception of musical and lexical tones by Taiwanese-speaking musicians.
This study explored the relationship between music and speech by examining absolute pitch and lexical tone perception. Taiwanese-speaking musicians were asked to identify musical tones without a reference pitch and multispeaker Taiwanese level tones without acoustic cues typically present for speaker normalization. The results showed that a high percentage of the participants (65% with an exact...
متن کاملPerception of pitch height in lexical and musical tones by English-speaking musicians and nonmusicians.
The purpose of this study was to explore the music-speech relationship by examining pitch height perception in lexical and musical tones. English-speaking musicians and nonmusicians identified multispeaker Taiwanese level tones without typical cues for speaker normalization. The musicians also identified note names of piano, viola, and pure tones without a reference pitch. In the Taiwanese task...
متن کاملLexical tone perception in musicians and non-musicians
It has been suggested that music and speech maintain entirely dissociable mental processing systems. The current study, however, provides evidence that there is an overlap in the processing of certain shared aspects of the two. This study focuses on fundamental frequency (pitch), which is an essential component of melodic units in music and lexical and/or intonational units in speech. We hypoth...
متن کاملPerception of musical pitch and lexical tones by Mandarin-speaking musicians.
The relationship between music and language processing was explored in two perception experiments on the identification of musical notes and Mandarin tones. In the music task, Mandarin-speaking musicians were asked to identify musical notes of three timbres without a reference pitch. 72% of the musicians met the criterion for absolute pitch when an exact match was required, and 82% met the crit...
متن کاملOpening Musical Creativity to Non-Musicians
This paper gives an overview of my PhD research that aims at contributing toward the definition of a class of interfaces for music creation that target non-musicians. In particular, I am focusing on the differences on design and evaluation procedures with respect to traditional interfaces for music creation that are usually intended to be used by musicians. Supported by a number of preliminary ...
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ژورنال
عنوان ژورنال: Cerebral Cortex
سال: 2001
ISSN: 1460-2199
DOI: 10.1093/cercor/11.8.754